Most of the chords in this example are of the three-note variety. 1 uses the chord changes for Django Reinhardt's "Minor Swing" as a starting point. The best way to get the feel for la pompe is to listen to Django's recordings and imitate what you hear.Įx. The swinging guitar rhythm was based on a four-to-the-measure quarter-note beat with ghosted eighth-notes on beats 2 and 4 to emulate the sound of a drummer's hi-hat. There were no drums, which meant the rhythm guitarists provided the harmony, as well as the drum beat. In early Gypsy swing, the ensembles were composed entirely of string players, usually two or three guitarists, violin, and bass. Adapting to his limitations led Django to develop a very distinctive approach to playing jazz chords.īesides the chord voicings themselves, we also need to discuss the strumming technique called la pompe, which means "the pump"-a vigorous strumming of the guitar. He was also able to hold down two strings with each of his index and middle fingers. He could use his fused fingers to play one note or serve as a barre to play more than one note. As a result of his injury, most of his chords were three- or four-note voicings. His ring finger and pinky were fused together, and this handicap forced Django to invent a new way of playing his guitar. Due to a near fatal caravan fire when he was 18, Django's left hand was severely burned, leaving only his index and middle fingers in good working condition.
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